As an old-school gamer, I seldom bother with any of the modern RPGs flooding the market. But last week, for the first time, I found myself making an exception when someone called my attention to a game called Tales from the Loop. It may not come from the ’80s, but it’s set in the ’80s, and made me an instant fan. Here’s a look-back on all the classic RPGs that I either played, or owned, or now wish that I had. Tales from the Loop ranks here as well. It may as well be a classic RPG.
1. Advanced Dungeons & Dragons (1977). 5 stars. Obviously, everything on my list is overshadowed by this one. 95% of my gaming career has been devoted to old-school D&D. The Golden Age, that is, which lasted between ’74-’83. I began playing at the end of the age, in ’81, and up through ’87, by which time the game had become hopelessly commercialized. The influences of the golden period were the pulp fantasies and morally shifty heroes: Conan, Elric, Fafhrd & Grey Mouser, characters from the Dying Earth, etc. Despite D&D’s repeated comebacks (especially with the 3rd and 5th editions), it’s never been what it was, and today’s players don’t necessarily esteem it as the ultimate RPG. A google search will turn up lists of “RPGs way better than D&D”, and the reason isn’t hard to see. Pulp fantasy is long out of vogue, and today’s teens don’t have the touchstones that made D&D so great and accessible. And not just pulp fantasy, even Lord of the Rings, which despite Gary Gygax’s protests, had at least some significant influence on his early design. It’s been almost a decade now since Peter Jackson’s films, and Tolkien doesn’t inspire the same levels of awe that it did in previous years. The pulps themselves are a distant memory, and are even deemed offensive in the politically correct era of woke culture. It’s a shame. The best gaming adventures are the old-school D&D modules, and my coming of age years would have been much less inspiring and imaginative without them.
2. Call of Cthulhu (1981). 5 stars. Of all the RPGs I regret never playing, this one looms large. If I could go back and redo my coming-of-age years in only one way, I would be sure to play Call of Cthulhu. And it says something that I feel comfortable ranking it with highest honors outside the top slot, when I’ve never seen it played, let alone play it myself. Back in the day I learned about it through Dragon articles more than anything, and only in the recent decade have I delved thoroughly into the rules and adventure modules. It’s well known that Cthulhu is a horror game that turned D&D’s heroic fantasy on its head, prioritizing investigation over combat, with PCs who are inherently weak: librarians, doctors, professors, amateur detectives, etc. You don’t play Cthulhu to become a powerful knight or wizard, but rather with the dismal expectation that your character will likely go insane, as your character learns about the horrors of the world and the complete irrelevance of humanity. Using the tools that are needed to defeat the horrors (knowledge and magic) will most likely plunge PCs into mental illness. The infamous sanity score has become the game’s hallmark. Horror reduces your sanity points like weapons reduce hit points. PCs acquire phobias, fetishes, obsessions, hallucinations, amnesia, schizophrenia, multiple personality disorder, and psychosomatic reactions that make them dysfunctional. They can learn magic, but this hardly amounts to a benefit, as magic just immerses them more in the horrors, and makes them panic more, drop things, go catatonic, or experience any number of mental problems. It’s a thoroughly nihilistic game, and the nice thing is that, unlike D&D and Gamma World, it has remained stable and consistent through all the seven editions. While I would surely use the 1st edition if I ever started playing, I have it on good authority that it really doesn’t matter which edition you play.
3. Gamma World (1982). 5 stars. Basically the Dark Ages of Our Future. Growing up in the Reagan era meant ongoing fears of an apocalypse that would turn our globe into a radioactive wasteland. But what raises Gamma World far above other post-apocalyptic fantasies is that its apocalypse takes place in the very far future — the 24th century (2322 AD) — which means that the pre-apocalyptic world is just as futuristic and alien. There are high-tech artifacts like blaster pistols and robots, and cars that fly. The world of the ancients is filled with mystery and wonder, which makes the game a lot like D&D. Most of the pulp fantasies that shaped first-edition D&D were post-apocalyptic (Conan’s Hyperboria, Dying Earth, etc). The worlds of D&D were “fallen” in some way, and Gamma World aligns with this, the only difference being that there are techno-gadgets instead of magic items, and mutant powers instead of spells. But the earth is a global sandbox — just like Greyhawk and Mystara — in which PCs move from one pocket of civilization to another, plundering lost wealth and artifacts. The default start date in this world is 2450 AD, about a century and a half after the nuclear wipe-out. The game is in its 7th edition now, but I won’t touch anything beyond 2nd. The 2nd edition (1982) is the best, perfecting on the first that came out in the ’70s. After these two classics, Gamma World became increasingly commercialized.
4. Tales from the Loop (2017). 4 ½ stars. The only entry on my list which post-dates the ’80s is set in an alternate ’80s world, and it deserves to stand proud in the surrounding company. Tales from the Loop followed the overnight success of Stranger Things and takes direct inspiration from it. In the game you play kids between ages 10 and 15, and solve science-fiction mysteries that involve the Loop, a massive particle accelerator that is nearby the town you live in. The Loop causes aberrations like corruption of the earth’s magnetic field, warping wildlife (even dinosaurs emerge around the Loop), and animating robots in dangerous ways. The rules come with two default locations: the Malaren islands of Sweden, and Boulder City Nevada. But the rules also emphasize that you can set the Loop anywhere you want. I’d use my old hometown of Lyndeborough NH, where I grew up in the late ’70s and early ’80s. A crucial aspect of this game is that adults are absolutely useless when it comes to helping out, so the kid PCs have to do all the leg-work and solve mysteries on their own. Around the mystery solving, there are the normal trials that kids suffer: bullies, school tests, crushes, and heartbreak. It’s such a terrific idea for an RPG, it’s a wonder it took so long for a TV-series inspiration. Best of all, the rules are easy to follow, and flexible enough to cover virtually any situation that comes up in the game. There are eight archetypes (“character classes”): Bookworm, Computer Geek, Hick, Jock, Popular Kid, Rocker, Troublemaker, and Weirdo. Seriously, who among us who came of age in the ’80s doesn’t want to play this? Tales from the Loop recreates an age I miss sorely as I turn 51 at the end of this month. It takes me back to my reckless attitudes and thinking as a kid, and, incredibly, it provides the mechanics for tapping into that heart and drive.
5. Traveller (1977). 4 stars. Even dinosaurs my age tend to forget Traveller. It wasn’t very user-friendly and assumed a significant amount of player knowledge of physics and astronomy. I remember trying to understand the ramifications of zero-g combat, and those weren’t defined anywhere; then also wanting to know what the hell a mass driver was. Without internet forums and google capabilities back then, you were pretty much left to make sense of the rules as you could. Oddly, there was much I loved about that open-ended aspect of the game and ended up playing it a lot with a cousin who preferred space travel to D&D’s wizards and warriors. One thing that struck me was the fact that PCs start out with loads of experience. In most RPGs the characters start at beginner levels, but in Traveller you come out of the military with years of skills under your belt. In most other ways, though, it shares plenty in common with D&D. Both games assume the characters are roguish adventurers “on the make”. The adventures involve shady activities in order to acquire money, and the characters are outsiders (“travellers”) without commitments to local planetary societies. (The Raza crew in the TV series Dark Matter remind me very much of Traveller.) The space world is a lawless frontier where authorities are distant and corrupt. That’s really the same basic framework of old-school D&D. My greatest Traveller memory is the point at which my cousin was finally able to design and purchase his own ship — and then all the mileage he got from it.
6. Middle-Earth Role-Playing (1984). 3 ½ stars. I never played the actual system, but I played the modules all the time by adapting them for D&D. So this one was hard for me to rank. Frankly I don’t like MERP as a gaming system (nor Rolemaster from which it derives), but the campaign modules and adventure modules are top-notch, and I wrote retrospectives of them all (starting with Rangers of the North). When I learned in the ’90s that Tolkien Enterprises finally revoked ICE’s license to produce gaming material for Middle-Earth, I went ape shit. The MERP modules were nothing less than scholarly, as fun to read as to play. They came to dominate my role-playing years in the late ’80s, and I even kept buying them in the ’90s when I wasn’t playing much anymore. I would check in at the local comic store religiously to grab every new release, and I’m glad I did: thanks to the Tolkien-Enterprise fascists, the modules are now collector’s items. It’s a shame, because they’re probably the most academic accessories ever written for any RPG. It’s as if Tolkien himself had taken up D&D and poured his linguistic and cultural scholarship into the hobby. The irony, of course, being that the high fantasy setting of Middle-Earth is on the face of it so at odds with D&D’s pulp fantasy roots. But I never saw a contradiction. Anyway, the MERP rules and gaming system would fall at the bottom of this list, while the adventure modules themselves would place very high; so a ranking of 6 feels about right.
7. Stormbringer (1981). 3 ½ stars. This one’s like Call of Cthulhu. I never played it, and like Cthulhu it’s a Chaosium publication. There are strong literary vibes in the Chaosium RPGs, and that’s part of the reason why I’ve been so turned on to them in recent years. Stormbringer is, as you might expect, set in the world of the Young Kingdoms, the realm from the Elric novels. It deals with a failing empire in conflict with the powers of chaos. The world is plunging into an apocalypse that has been foreseen, but which the PCs are utterly powerless to prevent. It’s a nihilistic game, again like Cthulhu, though in a more overarching abstract way. It does have its problems, and I can understand why it never became as popular as other RPGs, despite the fact that Moorcock’s novels were widely loved. The sorcery rules are very detailed, but it’s all a virtual waste, as PCs will rarely if ever have the chance to use sorcery. Magic in this world is brokered by demons, because humans can’t wield magic on their own. They have to bind and command demons to use power; so for example, to cast a fireball would require summoning a fire elemental and using its powers, or throwing its energy, at a target. And the ability to bind demons and other creatures is extremely rare, if not suicidal. On top of that, and in accordance with the predestination of Elric’s world, players have very little say in what their characters will be like. When they generate the characters, the dice determine their class and race as much as they determine their attributes. But there is a lot to admire in this game, and I wish I’d played it at least once.
8. Top Secret (1981). 3 stars. This is the most realistic RPG I ever played, though that’s perhaps not saying much. The early ’80s was the age of the Roger Moore James Bond films, and Top Secret plays on some of those extravagant plot lines. The PCs are field agents for a governmental agency, and they are assigned missions falling into one of three general categories: assassination (killing), confiscation (stealing), or investigation (spying). One might say loosely that it’s D&D in the modern world, for assassins, thieves, and rangers. The problem is that these character professions aren’t fleshed out too well; the professions mainly determine if the PC receives bonus experience points for succeeding in a mission that pertains to their profession. In other words, a field agent specializing in assassination would get bonus points for carrying out a kill, but that’s not to say that confiscators and investigators can’t assassinate. The game is purely percentile based: 2d10 for everything — attributes, skill checks, and combat. I have fond memories of skyjacking a 747 (I was a confiscation agent), though I botched the job by killing more innocent passengers than was necessary; it didn’t go well for me in the end. Alas, that was the only time I played Top Secret.
9. Star Frontiers (1982). 2 stars. This is the Star Wars of early RPGs, so it’s no surprise I never got around to playing it, given my constant dislike of George Lucas. I owned Star Frontiers, to be sure, and read through the Alpha Dawn rules many times. I even went through phases when I was inspired to play, but ultimately never did. Bubblegum space opera was never my thing. If I wanted outer space and star travel, I had the more solid and gritty approach of Traveller. (A reviewer in Dragon back in the day said that comparing Star Frontiers and Traveller is a bit like comparing Star Wars and 2001: A Space Odyssey; and yes, that comparison is bang-on.) Probably the most compelling thing about Star Frontiers is the Sathar, the worm-like race trying to conquer the galaxy. The Sathar are elusive and seldom appear. They aren’t good at military combat and rely on hypnotic powers to recruit from and corrupt the four player character races: humans (of course), dralasites (giant amoebas with a prankish sense of humor), vrusks (huge insectoids that are team-driven, though not quite hive mind), and yazirians (flying wookies, who are easily enraged and go berserk). They live in an area of the galaxy as part of a multicultural federation that works against the Sathar. There are plenty of old-school gamers who rhapsodize about Star Frontiers. I’m not one of them.