Six seasons. 60 episodes. Here are the 30 best, ranked in descending order. Eight of them are from season 1, three from season 2, five from season 3, five from season 4, three from season 5, and six from season 6.
As far as ranking the seasons on whole, the order is: 1 > 6 > 3 & 4 > 5 > 2. I can’t choose between 3 and 4, which are really two halves of an extended season representing the third monster novel A Storm of Swords. That’s the best book of the novels. In the TV series, however, season 1 remains the strongest, and season 6, which overtook the books, a close second.
Season 5 is the inverse to seasons 3 and 4. It condenses two novels, A Feast for Crows and A Dance with Dragons, both of which needed serious editing, with rather good results. I disagree with the detractors of season 5. Aside from the silly Dorne plot, all of the plot changes (especially Sansa’s) were for the better.
Season 2 is the only one I would call less than excellent. It was still very good, but something about it lacked impact, and it also involved the worst adaptation from the novels. The kidnapping of Dany’s dragons and political revolt in Qarth was unconvincing, and even a bit silly like the season-5 Dorne plot.
1. The Rains of Castamere. Season 3, Episode 9. The series’ most unforgettable chapter, and the rare episode that acquires instant legendary status — like Breaking Bad’s Ozymandias and The Sopranos’ College. The Red Wedding makes Ned’s execution seem almost banal by comparison for the scale and treachery involved. Walder Frey slays his guests under sacred protection, the mass murder includes truly innocent victims like Robb’s pregnant wife, and the backstabbing comes from even allies as the Boltons turn on their liege lord. The episode also has the best Bran scene before season 6: holed up in the lake tower, warging his brains out, when Jon saves him from the Wildling attack; great wolf action from both Ghost and Summer. The Red Wedding is the reason Benioff and Weiss wanted to make the TV series, and they surpassed even the nihilism of the book.
2. Battle of the Bastards. Season 6, Episode 9. It’s no exaggeration to say that the battle for Winterfell is one of the most incredibly choreographed battles ever done, and certainly the most impressive done for a TV series. It was only strengthened by the need to go off-script and cheat due to budget and time constraints; for example, the claustrophobic terror of Jon being trampled ended up being one of the most effective scenes. Even more than the Pelennor Fields in Jackson’s Return of the King, it immerses the viewer in the chaos and random carnage as seen from the ground. If the Red Wedding is quintessential Game of Thrones, the Bastard Battle is the rare payback for characters we love, though at hideous cost (Rickon, Wun-Wun). And what a sidebar bonus on Dany’s side of the story, as all three dragons annihilate a battle fleet, and then later Dany finds common cause with Yara Greyjoy.
3. The Kingsroad. Season 1, Episode 2. I’ve watched this episode more than any other. After the introductions of the premiere, we get stronger family dynamics as the Stark kids go their separate ways. Ned promises Jon they will talk about his mother when they next meet; Jon gives Arya Needle. Ned and Robert argue about killing Dany. (Dany, for her part, suffers marital rape until she tames Drogo on her terms.) There’s major wolf action, as Bran is attacked in bed and recused by Summer; on the Kingsroad, Arya stabs Joffrey, Nymeria bites him, and Sansa’s poor wolf ends up paying the price for it. In Lord of the Rings, the breaking of the fellowship comes long after the hobbits leave the Shire. In Game of Thrones, the breaking of the Stark family is the initial departure from home, and many of these terrific characters will die and never see each other again. It’s a precious episode that gets better each year, and I’m surprised more pick lists don’t rank it high.
4. The Door. Season 6, Episode 5. This is the episode Game of Thrones has been building to from the first frame. You could make a case for Hardhome, but that was a contest of muscle. As important as Jon is, I’ve always viewed Bran as the most critical character, and here he emerges as the greenseer-warg who can manipulate time. He wargs into Hodor to escape the white walkers, but he does so while he’s observing Winterfell in the past, which creates a psychic link between the two Hodors: past-Hodor becomes warged too and hears Meera yelling “hold the door” from the future, which he starts repeating until his mind snaps. So Bran is responsible for creating Hodor’s mentally challenged state, which leaves open all sorts of possibilities (will Bran “become” his ancestor Bran the Builder and raise the Wall himself 8000 years ago?). In any case, the white walker assault on the Weir Tree is mind-blowing. This episode also has the best Ironborn scene, with Yara claiming the Salt Throne and Euron winning it, followed by his baptism by drowning.
5. Hardhome. Season 5, Episode 8. The most drastic departure from the novels results in one of the best episodes, because it gets to the point in a way that Martin stalled on for too long. The undead threat beyond the Wall is what Game of Thrones is about. While everyone contends for the Iron Throne, believing that political rule of Westeros is the most important question, they are oblivious to the real threat. That the walkers have made few appearances has been a strength, to be sure; this is a patient series not given to cheap thrills. But by the fifth book, a dramatic outing was overdue, and the show writers rectified this deficiency. The battle is incredible enough as it is, but when the Night King at the end slowly raises his arms, and every fallen member of both sides of the battle rises as a wight, the look on Jon’s face as the screen fades to black is one of the most powerful in the series. Also overdue was the hookup of Tyrion and Dany, and their disputing where and how Dany should rule; it’s a great interaction.
6. The Dance of Dragons. Season 5, Episode 9. If Hardhome is the ice we’d been waiting for by season five, this episode is the fire. Drogon’s dance in Daznak’s Pit is everything I hoped for and more, but before that comes another and more outrageous fire, and possibly the most upsetting scene of the series: Stannis sacrificing his daughter Shireen to the Lord of Light. Back to back we witness the burning-at-the-stake of a completely innocent child, and then the glory of a queen reclaiming her destiny, as her untamed baby, now of monstrous size, roasts her attackers in the arena. I’m hard pressed to say which scene is more powerful, and I love how the “Dance of Dragons” theme weaves through both; Stannis and Shireen’s discussion of the ancient dragons is so tenderly played, and a heartbreaking prelude to a father’s despicable decision.
7. The Climb. Season 3, Episode 6. A visual masterpiece, which for whatever reason isn’t a big favorite among fans. Ramsay’s prolonged torture of Theon is too much for some people, but that doesn’t subtract from The Climb being one of the best directed episodes of the series. I was sweating when the Wall defended itself and sent the wildlings falling to their screaming demise. Jon and Ygritte’s precious moment at the top is well earned. Tyrion and Cersei have their best moment (finding common cause in grief over the marriages they’ve been shafted with), as do Tywin and Olenna (who sling mud at each other over the homosexual/incestuous inclinations of the other’s children). The best part, however, is Littlefinger’s monologue about his own “climb” of the ladder of life. He glorifies the ruthless who are willing to do whatever it takes to get ahead, which plays over the ugly death of Ros. It’s the coldest speech of the series and steals the show.
8. A Golden Crown. Season 1, Episode 6. A densely packed episode with nail-biting drama. War is foreshadowed when Robert (after punching Cersei in the face) refuses to allow Ned to step down as the Hand. He gets more than he bargained for when Ned sits the Iron Throne and summons Tywin Lannister to court on pain of treason, precipitating awful events. Meanwhile, over in the Vale, Tyrion is championed by Bronn, and the duel is a ripper. Still further east, Dany gets carnivorous with the horse heart — without question the best cross-cultural scene of the series — and Viserys is “rewarded” by Drogo with a molten gold crown. His death is so disturbing that it almost plays like fantasy snuff. The Kingsroad will always be my favorite of season 1, but this one is a close second.
9. The Mountain and the Viper. Season 4, Episode 8. The duel between Oberyn and Clegane is the best one-on-one fight sequence to date. It’s so well done that even if you read the books, it manages to make you think Oberyn might win and free Tyrion. Despite his relatively small size (compared to the Mountain), he looks entirely believable as the most lethal warrior of Dorne; his acrobatics with the spear are hypnotic. This episode also features a stellar performance from Sansa, as she tearfully recounts Lysa’s “suicide” to the nobles of the Vale — both exposing and concealing Petyr’s deceptions, and finally taking control of her miserable life. Here she shows the potential for becoming dangerous like Petyr and shrewd like her mother.
10. Garden of Bones. Season 2, Episode 4. By far the nastiest episode to date and an underrated gem. Joffrey has Sansa beaten in front of spectators in the throne room. Joffrey forces Ros to beat another whore bloody. The Mountain and his men torture young prisoners at Harrenhal. Most spectacularly, after Stannis and Renly trade public insults, Melisandre gives hideous birth to a shadow creature. It’s one demented act after another, and was scripted by Vanessa Taylor, whose other season-2 episode places on this list (The Old Gods and the New). She should be writing a lot more for the series. If not for her, I wonder if anything from season 2 other than Blackwater would appear on my list. She has a gift for squeezing out dramatic tension even in the most subdued moments.
11. The Winds of Winter. Season 6, Episode 10. The first 20 minutes is a crowning directorial achievement, ending in the mass murder of just about everyone at King’s Landing — the High Sparrow, Margaery, Loras, Lancel, Mace Tyrell, Kevan Lannister included. In terms of sheer numbers, Cersie’s wildfire bomb kills more people than the Freys did at the Red Wedding. As she becomes the First of her Name, Jon is hailed King of the North, and Faceless Arya assassinates the Freys. We finally see Oldtown, which is incredibly gorgeous, and the final frame shows Dany sailing against Westeros with a huge fleet. This is by far the best season finale of the series. And finally, Winter is here.
12. And Now His Watch is Ended. Season 3, Episode 4. The title heralds the death of Lord Mormont, killed by his own men at Craster’s Keep. That’s explosive enough. But the real explosion comes overseas in Slaver’s Bay, where Dany comes into her own and roasts the city of Astapor. The “dracarys” moment is almost as powerful as in the book — I say almost because of the liberties taken back in the House of the Undying, where the dragons made their first “dracarys” kill with Pyat Pree. (The Qarth thread of season 2 has been the weakest adaptation to date.) But it doesn’t end up mattering much: this is a truly glorious episode.
13. Baelor. Season 1, Episode 9. The death of Ned Stark showed that no one is safe in Westeros, that the more you grow attached to Martin’s characters, the more likely they will be unexpectedly and unfairly slain. It’s an instant classic for good reason, though a bit overrated by those who rank it up with The Rains of Castamere. The episode on whole isn’t that strong, though certainly excellent, for in the east Dany faces the impending deaths of Drogo and Rhaego: the horse ritual that kills her husband and baby is hideous. Walder Frey makes an appropriate first appearance, negotiating with Catelyn for terms that Robb will fail to keep, precipitating his own treacherous downfall.
14. The Pointy End. Season 1, Episode 8. A pure bad-ass episode. Drogo is challenged by one of his men when Dany refuses to allow war captives to be raped, and Drogo rewards him by ripping his tongue out of his throat. At Kings’ Landing, Arya kills a stable boy in the chaos following Ned’s imprisonment — and after watching Syrio Forell clobber the shit out of four Lannister knights with a wooden training sword before dying under Ser Meryn’s blade. In the north, the Greatjon challenges Robb’s right to lead the clans, and Grey Wind leaps over the dinner table and bites his finger off. At the Wall, Jon kills a reanimated wight. This one gets your blood up like no other.
15. The Laws of Gods and Men. Season 4, Episode 6. Tyrion’s mummer trial, his “confession” before the court, and demand for a trial by combat harks back to his imprisonment in the Eyrie, but this time the drama is more stirring. When even Shae testifies against him with lies, his reaction to the crowd’s laughter is spot on: “I saved you all — all your worthless lives.” He confesses to the crime of simply being a dwarf, for which he’s been on trial all his bloody life. “I didn’t kill Joffrey, but I wish I had. I wish I had enough poison for you all. I wish I was the monster you think I am.” This pivotal scene is true to the book, and without question my favorite Tyrion scene to date.
16. The Old Gods and the New. Season 2, Episode 6. Theon’s notorious capture of Winterfell. When he executes Rodrik in front of Bran, it’s a brutal hack job that takes four goddamn swings (a far cry from the single clean strokes of the Starks). In a way it’s as upsetting as Ned Stark’s beheading, because the fall of Winterfell represents the evaporation of Ned’s entire house. Things also get rough at Kings Landing, as Joffrey and his retinue are attacked by a starving mob, and Sansa nearly raped until rescued by the Hound. Meanwhile, Arya has become Tywin’s cupbearer at Harrenhal, and they have some of the best character moments in the series. Up north Ygritte makes her debut: Jon is unable to kill her, and she begins tormenting him with lewd come-ons.
17. The Watchers on the Wall. Season 4, Episode 9. The next two battles are slightly overrated. They are excellent but don’t belong in the top 10 where many fans place them. I will say the battle for the Wall is more impressive than Helm’s Deep in Peter Jackson’s Two Towers. It’s faithful to the book’s imagery, some of it exactly how I imagined. There are giants, a mammoth, and exploding barrels of oil; wall-scaling; the breaching of the gate. Alliser Thorne is in fine, vulgar form; the deaths of Pyp and Grenn are moving, and of course Ygritte even more so.
18. Blackwater. Season 2, Episode 9. Another bottle episode and battle epic that’s slightly overpraised. The claustrophobic focus at King’s Landing is effective. Like the characters we feel caged inside the Red Keep, with no hint as to what’s going on elsewhere, and just because they’re Lannisters doesn’t mean we don’t feel for them. Tyrion owns the spotlight, as his cunning plans to save the city explode with an emerald vengeance. The wildfire on the river is quite a spectacle, and you don’t know whether to cheer or cringe as Stannis’ men burn like auto-de-fés. Tyrion’s reward is a sliced face, and his come-late father who will take all the credit.
19. Winter is Coming. Season 1, Episode 1. The premiere hooks you on the series whether fantasy is your thing or not. The prologue establishes the threat beyond the Wall, and the bulk of the episode showcases the Stark and Lannister characters we’ll come to love and hate. The Stark kids claiming their wolf pups is the best part. Bran climbing the tower walls and getting pushed off by Jaime is a close second, and promises that Game of Thrones won’t be generic fantasy: George Martin plays hardball.
20. Fire and Blood. Season 1, Episode 10. The first season finale is an aftermath that sees everyone coping with Ned’s death. Joffrey forcing Sansa to look at her father’s head displayed on the castle walls, and Ser Meryn beating her face bloody, is especially heartbreaking, and Sansa’s true gateway to a hell that will last until the end of season 5. But Dany’s side of the story upstages this as she copes with Drogo’s death, the question of her fate among the Dothraki, and finally of course, the amazing birth of her dragons. It’s by far the best season finale; usually the tenth episodes try doing too much and too superficially, but Fire and Blood is focused and transcendent.
21. Book of the Stranger. Season 6, Episode 4. In a replay of Fire and Blood, Dany emerges from an inferno to stand naked before a horde of Dothraki. It doesn’t exactly feel like a repeat, because the first time was sort of a false start, taking Dany east instead of west and then to her crusade in Slaver’s Bay. Now she has the political gumption (and a much huger horde) to make her move. Her insulting speech is great: she calls the khals small men, and says she would make a better leader of the Dothraki than any of them; they laugh of course and threaten to rape her to death, and she looses the fire on them. Over in Mereen, Tyrion in tense negotiations with slavers from Astapor and serving Dany’s cause well. And a most precious reunion of Jon and Sansa at the Wall. After five seasons of hell Sansa deserves this relief, and I started tearing up when she begged Jon to forgive her for treating him so awfully when they were kids.
22. Kissed by Fire. Season 3, Episode 5. Jon and Ygritte’s love-play in the cave pool is the heart of the episode, resonating with foreordained tragedy. Ygritte means it when she says she wishes they could stay there forever, though certainly not because she fears war. On an unacknowledged level, they both know their romance can’t last. Then there is the Karstark fiasco that cements Robb’s own doom. If breaking his marriage-oath to Walder Frey was the unforgivable offense, executing Karstark and alienating his men is what will make the Red Wedding possible. Last but not least is the duel between the Hound and Beric Dondarrion.
23. The Wolf and the Lion. Season 1, Episode 5. Here we get the catalyst for the War of the Five Kings: Catelyn’s rash abduction of Tyrion. The Eyrie is spectacular, the sky cells terrifying, and young Prince Robin a piece of work. True to the book, he suckles his mother’s breast at the age of eight, and is sadistic like Joffrey. At Kings Landing there’s some intense drama: the Mountain gets thrown from his horse and chops its head off; Ned resigns as Hand when Robert condones Dany’s assassination; then he’s ambushed by Jaime, who has his men slaughtered. From here on out Westeros won’t be the same.
24. The Lion and the Rose. Season 4, Episode 2. Joffrey’s death is a scene you can replay over again, just like the scenes of Tyrion slapping his face in episode 2 of the first season and episode 6 of the second. Except Tyrion isn’t the offender this time, much as he will pay dearly for it. The culprit is sharp-tongued Lady Olenna, who obviously wants Margaery to be queen of Westeros, but won’t stand for her granddaughter suffering Joffrey’s sadism. (She’s undoubtedly in league with Littlefinger, who has in hand in every nefarious plot.) I also love the midgets’ courtly re-enactment of the War of the Five Kings.
25. The Children. Season 4, Episode 10. The pivotal scene in this finale is Bran’s arrival at the weir-tree of the Three-Eyed Raven, and it’s prefaced by an undead attack sequence that sees the death of Jojen Reed and Bran warging. Then there is Dany’s dragon horror, as she finds out that Drogon roasted some poor Merenese child. Tyrion shooting his father with a crossbow is another priceless climax: Tywin is on the toilet when it happens. Shae gets her due as well. Like Tyrion, Arya sails for the east — after watching Brienne beat the Hound within an inch of his life. Not many episode-10s make this cut, but the season four finale exceeds expectations with a vengeance.
26. Second Sons. Season 3, Episode 8. The theme of protective second sons plays everywhere. Mercenaries by that name rally to support Dany. Tyrion weds Sansa, and defends her against Joffrey’s bullying. Sam protects Ghilly, and in a major heroic moment kills a White Walker. But the best part is at Dragonstone, where Stannis (the realm’s “protector”) leeches the deaths of the “usurper” kings. It’s creepy as hell, and implies that he and Melisandre are the true assassins of Robb and Joffrey, working their regicides through supernatural forces; Walder Frey and Lady Olenna would appear to be mere proxy killers in the grander scheme of things.
27. Oathbreaker. Season 6, Episode 3. The episode is defined by Jon’s leaving the Night’s Watch (though of course his resurrection means that technically he did give his life to the Watch) after executing his brothers who broke their own oaths by killing him. But the best scenes are owned by Bran and Arya. Bran’s vision of the Tower of Joy is a special treat: Arthur Dayne is outnumbered by Ned Stark and his men, smashes most of them to smithereens anyway, and is finally killed not by Ned (as Bran had been taught) but rather Howland Reed who stabs him from behind. Meanwhile, Arya finishes her blind training, drinks the Kool-aid, and becomes an assassin. Tommen has a particularly good scene with the High Sparrow.
28. High Sparrow. Season 5, Episode 3. The first seven episodes of the fifth season aren’t quite as weak as people complain about, and this one is especially good. There is Jon’s beheading of Janos Slynt, which is fantastic, but it’s really about the Stark girls and the hardest decisions they’ve yet faced. Sansa enters into a marriage pact with Ramsay Bolton, and this radical departure from the novels is an excellent move, as it promises Sansa a pro-active role in payback for the Starks. Meanwhile over in Essos, Arya is initiated into the Faceless Assassins — the first of her ongoing sessions with the waif who beats down her ass every time — and she makes the painful choice of putting her old life completely behind her. And of course the titular theme involves Cersei promoting the Faith Militant, replacing the High Septon with the High Sparrow, a decision she will most sorely regret.
29. You Win or You Die. Season 1, Episode 7. Two scenes sell this episode with a vengeance. The first is Drogo’s vow to avenge the assassination attempt on Danerys: “I will take my khalasar west to where the world ends, and ride wooden horses across the black salt sea as no khal has done before! I will kill the men in iron suits and tear down their stone houses! I will rape their women, take their children as slaves, and bring their broken gods back to Vaes Dothrak! I swear before the Mother of Mountains as the stars look down in witness! As the stars look down in witness! As the stars look down in witness!” (Dany’s renewal of that pledge on the back of Drogon in season 6 is pretty damn good too, but it doesn’t top Drogo’s original.) The other, of course, is Littlefinger’s betrayal of Ned Stark in the throne room.
30. No One. Season 6, Episode 8. The major event signaled by the title is actually a let-down. I loved Arya’s scenes with the Faceless Ones throughout seasons five and six, but her final showdown with the waif is banal. It’s an otherwise strong episode and contains my favorite scene between Jaime and Brienne. Jaime at his most caring (with Brienne) and most contemptuous (with Edmure). Then there is the Hound, who kills the outlaws who massacred the pacifist community before joining Beric’s group. The Mountain meanwhile kills one of the Faith Militant — his first kill since being worked over with sorcery. And finally, Tommen outlaws trial by combat, to a horrified Cersei who feels the walls closing in.